Sola M'ire
Songs of the Spanish Renaissance
June 14 & 15, 2024
Join Vox Lucens for a selection of Spanish Renaissance music from the 15th and 16th centuries. From sad and contemplative songs of love and longing, to irreverent and raunchy madrigals, to Flecha's epic ensalada "La Bomba", there's something on this program for everyone. Featuring members of Vox performing on instruments in addition to a cappella selections, for an expanded color and variety of sounds.
Suggested donation of $20 accepted at the door.
Friday June 14, 8:00PM
St. Peter's Episcopal Church
838 Massachusetts Ave.
Cambridge, MA
Saturday June 15, 8:00PM
University Lutheran Church
66 Winthrop St.
Cambridge, MA
Selected Highlights
La Bomba
What should you do when you are overcome by a storm at sea? Why, SING about it of course! Come hear us tell the tale of a somewhat brave crew who, although convinced they are going to die, make it through with much wailing and praying. After tuning their guitars, they dance and sing their gratitude.
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Mateo Flecha’s “La Bomba,” written during Spain’s “siglo de oro” (“golden age," 1479-1598), showcases a style of writing called “ensalada” that features a mixture of verses in various languages with frequent onomatopoeias and words bent for an amusing theatrical effect.
Nunca fue pena mayor
Translation: Never was there greater pain
Who are the melancholy souls that wrote such heart-wrenching words and a melody that rips your wounded heart in two? We will never know, because the poem for “Nunca fue pena mayor” is by an unidentified author and the melody by an anonymous composer. Do not fear, dear sufferers! Then, as now, singing sad songs is great therapy.
Corten espadas afiladas lenguas malas
Translation: May sharp swords cut out all evil tongues!
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In a song that alternates between Spanish and Latin, anger and prayer, a man defends his honor after being accused of sleeping with a virgin lady on the morning of St. Francis Day. What have these two been up to?